Sisyphus1.0023_Camus.htmīird shows that Sisyphus is consciously choosing to let go of the rock so that he can start his labors once again. Like Camus, Bird also uses present tense to note that the myth is still happening. That pause was also noted, very overtly, by Camus. This emphasizes the word “pause” by inserting a temporary, intentional, and literal fermata. In Bird’s song, he sings the lyric “paused”, fading the song’s rhythm slightly as no music plays in the interlude until Bird starts to sing again. It is during that return, that pause, that Sisyphus interests me. While Andrew Bird does appear to reference Camus’ interpretation of the myth, Bird deviates toward the end and perhaps alludes to a conclusion against Camus, where one instead finds happiness in community.īird seems to refer to Camus when he makes Sisyphus pause.Ī stone’s throw from the precipice, paused – Bird Camus’ reconstruction of the myth posits that Sisyphus willingly and daily chooses to continue a pointless task and that he should be imaged as happy while doing it. In 1940, Albert Camus championed Sisyphus as the absurdist hero in his landmark essay The Myth of Sisyphus. Since antiquity, authors have normally cast Sisyphus’ activity as an eternal punishment. Bird focuses his retelling on the moment Sisyphus faces the critical choice whether to keep going or to let the boulder sweep down the mountain as it has for every day since he was condemned by the gods. The folk indie song “Sisyphus”, by whistler extraordinaire Andrew Bird, depicts the endless labor of the previously named Greek hero/mischief-maker. He also dabbles in exploring classical myths. Andrew Bird’s music is often filled with philosophical themes, historical events, current issues, and scientific reference.
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